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HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view your recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use. You can even rack mount the HyperDeck and the controller. HyperDeck Extreme also includes 2 media slots, Quad 12G-SDI for 8K, analog connections for archiving, USB C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if your media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use.
With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analog inputs allow you to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage in 8K is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote-control protocol. You can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built in scopes and 3D LUTs. The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast.
As streaming services have become common, preserving cultural diversity through maintaining localized content important. The solution is to get each countrys legacy programs onto streaming services at cost. HyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme 8K and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. Its even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. Control a wide range of decks, including Digital Betacam, 1-inch C format, and Betacam SP.
The latest Quad Link 12G-SDI is included so its possible to record and playback in full resolution 8K for amazing quality. The SDI connections are multi-rate, so you can use Quad Link 12G-SDI to get compatibility with other 8K products, or switch to SD, HD or Ultra HD using the single link 12G-SDI connection. To allow regular CFast cards to be recorded at high resolution 8K, HyperDeck Extreme uses modern H.265 files for 8K recording and playback. This means HyperDeck Extreme 8K is perfect for connecting to the latest 8K televisions and projectors. Plus, its also the perfect solution when using ATEM switchers. With 8K broadcasting already happening in Japan now, you're ready for an 8K future.
The innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog. The LCD includes a heads-up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus, you can load and save 3D LUTs. You also get direct buttons for transport control, enabling the 3D LUT and remote enable. Then you can always add traditional deck controls with HyperDeck Extreme Control.
HyperDeck Extreme Control extends your HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. You can control up to 8 decks via industry standard RS 422 control. You can even rack mount to the HyperDeck Extreme to create a single "broadcast deck" unit. Because it uses standard RS 422, you can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus, you can even edit between frame rates if standards converting between formats. Even the controls have been developed in-house by Blackmagic Design to ensure a premium feel with traditional styling.
CFast media support allows you to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so you can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high speed and affordable. You can even use a Blackmagic MultiDock 10G to add SSD compatibility. With H.265, you can record 498 minutes at 8Kp60 on a 1TB card, 1,059 minutes in 2160p60 Ultra HD and 2,354 minutes in 1080p59.94 on a 1TB card. Thats over 8 hours in 8K and over 39 hours in HD.
If recording to other media types is required, then the USBC Expansion port lets you plug in an external flash disk for recording. USBC flash disks have massive capacity as they don't suffer from any size constraint. Plus, its possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast, they can record high data rate formats that are too big for CFast cards, such as real time ProRes in 8K. Adding a Blackmagic MultiDock 10G also makes it easy to use SSDs for compatibility with other HyperDeck models. You even get on screen menus for managing external disks using the touch screen.
Sometimes your media can fill before you change to a blank card, or if the card is too slow, then you can get dropped frames in your recording. To eliminate this problem, you can install a PCIe flash disk into HyperDeck Extreme 8K to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until its swapped. The cache even lets you record formats that are too fast for the media card or external disk. Common PCIe flash disks are used and a thermal pad is included to allow user installation.
HyperDeck Extreme 8K features a wide range of video and audio connections such as multi-rate Quad Link 12G-SDI for SD, HD, Ultra HD and 8K SDI devices. The 12G-SDI outputs support fill and key when playing RGBA 4:4:4:4 files. HDMI is included for consumer televisions and video projectors. For archiving work, HyperDeck also includes both balanced analog, HiFi audio plus timecode connections. For monitoring there's even a down converted monitor SDI output that includes overlays. The USBC connection lets you plug in flash disks or disk arrays for recording. The latest 10G Ethernet is included for high speed upload using FTP protocols. HyperDeck even includes both AC and XLR 12V DC power connections.
You'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide colour gamut. The built in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider colour gamut so can handle both Rec. 2020 and Rec. 709 colour spaces. The built in HyperDeck Extreme 8K HDR LCD colour gamut can even handle 100% of the DCIP3 format.
HyperDeck Extreme features full internal waveform monitoring so you can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of colour at 100% SDI reference levels. You also get RGB and YUV parade displays which are ideal for colour correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can be overlaid on live video, or as a small picture in picture view at the top right of the scope.
You get full support for the most popular video standards. The SDI and HDMI connections are multi-rate, so handle SD, HD, Ultra HD and 8K. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 2K and 4K DCI rates are available up to 25p. 8K standards are included at 4320p23.98, 24, 25, 29.97, 50, 59.94 and 60p. HyperDeck Extreme also supports Level A and Level B at 3GSDI rates.
8K has 4 times as many pixels as Ultra HD so HyperDeck Extreme 8K uses H.265 files for 8K recording to reduce costs and make working with 8K files easy. H.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Plus H.265 are now supported on all major operating systems. You can use H.265 for all 8K, Ultra HD or progressive HD formats. HyperDeck Extreme 8K even supports ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro X.
HyperDeck Extreme 8K HDR includes professional audio for modern broadcasters or archiving from older broadcast decks. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For capturing legacy programming there are 4 XLR analog audio inputs that let you record all 4 channels from Betacam SP decks. You can monitor using 4 on screen audio meters with user selectable VU or PPM ballistics. For consumer devices such as VHS, DVD and set top boxes, there are also direct HiFi audio inputs. HyperDeck Extreme 8K HDR might be the latest in 8K technology, however the analog connections have also been designed to low noise and low distortion broadcast specifications.
Multiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, HyperDeck Extreme 8K will display a menu for selecting a language, plus you can still use the menus to change languages anytime you need. When a language is selected, the on screen text overlays will change, as well as all menus and the overlays on the SDI monitoring output will also be displayed with the selected language. All this means HyperDeck is perfect for doing international location work with different crews.
With 10G ethernet, HyperDeck Extreme 8K HDR is perfect for digital signage because remote uploads are extremely fast. What's amazing is the ethernet uploads on HyperDeck Extreme 8K HDR are much faster than CFast card transfer speeds. All models use an easy text based protocol plus you can use Telnet to test control commands. Simply log into HyperDeck and then type "play" or "record" and it will execute the command. It's that simple. To upload media files remotely, you can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USBC disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and playout.
The most popular control connection used on broadcast decks since the early 1980s is the RS422 protocol. Originally developed by Sony, RS422 is used on almost all broadcast gear. HyperDeck Extreme 8K HDR features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS422 control solutions, you'll know youre connected to a HyperDeck Extreme 8K when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site.
There's a wide range of Blackmagic Design products you can use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus it uses the industry standard RS422 deck control protocol so it works with any broadcast deck. Add the new Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme 8K is also a perfect mastering recorder with the new ATEM Constellation 8K, or for clip playback and ISO recording. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television and it also has monitor calibration, 3D LUTs and on screen scopes.
|SDI Video Inputs||4|
|SDI Video Outputs||5 (12G-SDI A, B, C, D, and 3G-SDI Monitor Out)|
|SDI Data Rates||270 MB/s, 1.5G, 3G, 6G, 12G|
|HDMI Video Inputs||1 x HDMI 2.0 Type A|
|HDMI Video Outputs||1 x HDMI 2.0 Type A|
|Analog Video Inputs||1 x Component YUV on 3 BNCs
1 x Composite NTSC/PAL on 1 BNC
|Analog Video Outputs||None|
|Analog Audio Inputs||4 Channels of Professional Balanced Analog Audio via XLR Connectors
2 Channels of Consumer Unbalanced via RCA connectors
|Speaker||Built-In Mono Speaker|
|Display||7" with 1920 x 1200 Resolution, 2000 cd/m², DCI-P3 100% HDR LCD|
|Timecode Input & Output||1 x XLR Input
1 x XLR Output
|Reference Input||Tri-Sync or Black Burst|
|SDI Audio Inputs||16 Channels of Embedded Audio|
|SDI Audio Outputs||16 Channels of Embedded Audio|
|HDMI Audio Inputs||8 Channels of Embedded Audio|
|HDMI Audio Outputs||8 Channels of Embedded Audio|
|Remote Control||1 x RS-422 Input
1 x RS-422 Output
|Recorder Configuration||Via User Interface or Blackmagic HyperDeck Ethernet Protocol|
|External Recording Output||1 x USB Type-C 3.1 Gen 2 (up to 10 Gb/s) for External Disk Recording|
|Computer Interface||1 x USB Type-C for Software Updates|
|SD Video Standards||525i: 59.94 NTSC
625i: 50 PAL
|HD Video Standards||1080p: 60, 59.94, 50, 30, 29.97, 25, 24, 23.98
1080PsF: 30, 29.97, 25, 24, 23.98
1080i: 60, 59.94, 50
720p: 60, 59.94, 50
|2K DCI Video Standards||1080p: 25, 24, 23.98
1080PsF: 25, 24, 23.98
|UHD Video Standards||2160: 60, 59.94, 50, 30, 29.97, 25, 24, 23.98|
|4K DCI Video Standards||2160p: 25, 24, 23.98|
|8K Video Standards||4320: 60, 59.94, 50, 30, 29.97, 25, 24, 23.98|
|8K DCI Video Standards||4320p: 25, 24, 23.98|
|SDI Compliance||SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M, SMPTE 425M Level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1, SMPTE 2082-10, SMPTE 2084|
|SDI Metadata Support||HD RP188 and Closed Captioning CEA-708, HDR Metadata Supported on SDI|
|Audio Sampling||Television Standard 24-Bit, 48 kHz Sample Rate|
|Video Sampling||4:2:2 YUV|
|Colour Space||Rec. 601, Rec. 709, Rec. 2020. 33-Point 3D LUTs Can Be Applied via the LUT Menu Tab.|
|Multi Rate Support||Autodetection of SD, HD, 6G-SDI, 12G-SDI, 2SI Quad-Link 12G-SDI.|
|Copy Protection||HDMI Input is Unable to Capture from Copy Protected HDMI Sources. Always Confirm Copyright Ownership Before Capture or Distribution of Content.|
|Cache Recording||Slot for Optional M.2 PCIe NVMe Card for Cache Recording up to 16 GB/s. 60, 80, and 110 mm Supported.|
|Media||2 x CFast 2.0 Card Slots and 1 x USB Type-C 3.1 Gen 2 Expansion Port for External Recording of SD, HD, UHD, and 8K.|
|Media Type||CFast Card and External USB Type-C Flash Drives|
|Media Format||Can Format Media to ExFAT (Windows/Mac) or HFS+ (Mac) File Systems|
|Supported Codecs||ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for All Formats up to 4320p60. H.265 High, H.265 Medium, H.265 Low for All Progressive Formats up to 4320p60.|
|Scopes||Waveform, RGB Parade, Vector, and Histogram Scopes in Broadcast-Quality 10-Bit|
|Viewing Modes||Picture-in-Picture; Picture Overlay with Opacity Control. Waveform and RGB Parade with Standard and HDR Graticules; Vector with Zoom.|
|Control Panel||Integrated Capacitive Touchscreen LCD with On-Screen Controls for Settings and Navigating Menus.|
|External Control||RS-422 Deck Control, SDI Start/Stop, Timecode Run. Includes Blackmagic HyperDeck Ethernet Protocol.|
|Internal Software Upgrade||Loaded at System Start or via Blackmagic HyperDeck Setup Using USB Port|
|Supported Operating Systems||Mac 10.13 High Sierra, 10.14 Mojave, or Later
Windows 8.1 or 10
|Power Supply||1 x Internal 100-240 VAC
1 x 4-Pin XLR 12 VDC Input for External Power or Battery Use
|Rack Compatibility||3 RU, Half-Rack Width|
|Operating Temperature||0 to 40°C|
|Storage Temperature||-20 to 60°C|
|Relative Humidity||0 to 90% Non-Condensing|
|Dimensions||21 x 13 x 33.5 cm|
All products excluding batteries sold by Orms are covered by a minimum of a one year local warranty, reckoned from the date of purchase, to protect you against manufacturing defects.
Canon IXUS, PowerShot compact cameras are covered by a full 1 Year Warranty
Canon DSLR and Mirrorless cameras are covered by a full 2 Year Warranty.
Canon video cameras including Legria and X-series are covered by a full 1 Year Warranty.
Nikon compacts excluding the Coolpix P900 are covered by a full 1 Year Warranty.
Nikon DSLR's including the CoolPix P900 and are covered by a full 2 Year Warranty.
Panasonic cameras and lenses are covered by a full 2 Year Warranty.
Fujifilm cameras are covered by a 2 Year Warranty.
Sigma and Tamron products are covered by a 3 Year Warranty.
Lexar and Sandisk memory cards are covered by a Limited Lifetime Warranty.
Lowepro's Limited Original Owner Warranty covers defects in materials and workmanship during the useful life of the product. The warranty does not cover damage caused by improper care.
All used gear sold by ORMS is supplied with a 6 Month Warranty.
All refurbished gear sold by ORMS is supplied with a 12 Month Warranty.
Please contact our service division straight away on 021 - 469 1962 and notify them of the fault. You may also e-mail them at firstname.lastname@example.org
1. If a product is defective / faulty, ORMS will replace the product within a 10 day period deemed from the date of receiving the product. ORMS will also cover the shipping costs within the borders of South Africa.
2. During the warranty period, Orms will arrange collection of the faulty item, facilitate the repair and then ship the product back to the customer, bearing all risks and costs.
Orms is not obliged to repair products that fall outside of the manufacturers warranty period, or products that are damaged accidentally, however Orms in seeking to deliver the highest standard of customer service will gladly assist the customer in having the product repaired via the network of repair agents with which Orms has business dealings.
Free Economy Shipping is available on all orders exceeding R1 000. (T&C's apply)
*Terms and conditions to qualify for free shipping:
*Reckoned from time of dispatch to time of arrival to client. This is an estimate and not guaranteed.
We use Aramex couriers as our preferred method of delivery.
With sophisticated track and trace equipment, you can pinpoint exactly where your parcel is, from the moment it is dispatched by us, until it's safely handed over to you the recipient.
Your parcel is well packaged and bubble wrapped before delivery. We also fully insure your parcels contents for the journey to your door.
We charge a flat-rate for shipping and the charges are per order.
*Reckoned from time of dispatch to time of arrival to client. This is an estimate and not guaranteed. This period does not include Saturdays, Sundays and public holidays. The base price of R80.00 incl. VAT is for a parcel up to 10kg in Volumetric and Physical weight. Should the item/s exceed this weight, we reserve the right to increase the shipping charge accordingly.
Please Note: The above prices quoted are for ordering online through the ORMSdirect website only. A different rate will be quoted if handled manually through our camera sales department. Our delivery service only runs from Monday to Friday. Saturday morning deliveries can be done by special arrangement only and at an additional charge. Please contact email@example.com to arrange. We reserve the right to re-quote the delivery fee should this become too expensive.
International orders are generally subject to local import duties and taxes (VAT)
Orms is not responsible for, nor can we offer, any specific advice regarding any customs related fees that you may incur. For specific information, please consult with your local government import office.
Privacy: Your privacy is important to us. We strive to exceed your expectations for privacy. Cross-border shipments are subject to inspection by customs authorities. We may also be called upon to provide certain order, shipment, and product information to our international carriers. Carriers may communicate such information to customs authorities for the purpose of facilitating customs clearance and compliance with local laws.
International shipments are quoted on a per order basis depending on the size and weight of the parcel shipped.
You are welcome to place your order online, pay for it and collect it from our Cape Town or Bellville branches. You will need to bring in a print out of the order for collection. Please ask for online sales on arrival.
Shop 5, Roeland Square
Upper Canterbury Street
Gardens, Cape Town, 8001