Sony PXW-FS7 XDCAM Super 35 E-Mount 4K Camcorder (Special Order)

The Sony PXW-FS7 is a powerful and versatile professional camcorder that is capable of recording 4K internally up to 60fps, or Full HD up to 180fps. The camcorder utilises a Super 35 CMOS sensor with 8.8 million effective pixels, and features a Sony E-mount for a wide range of lens options.
  • Super 35 Exmor® CMOS Sensor
  • Sony α-mount system with 18 mm flange back distance
  • On-board 4K (3840 x 2160) and Full HD (1920 x 1080) recording
  • XAVC (Intra/Long GOP)
  • MPEG HD, 4:2:2, 50 Mbps (HD only)
  • Apple Pro Res codec (with future upgrade and extension unit, sold separately)
  • RAW recording (with extension unit and outboard recorder, sold separately)
  • Slow & Quick Motion for over-and undercranking
  • Dual XQD card slots
  • 16-bit analog-to-digital converter
  • ISO 2000
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SKU
PXW-FS7
R0.00
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Sony PXW-FS7 XDCAM Super 35 E-Mount 4K Camcorder (Special Order)

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4K Super 35 Exmor® sensor

When it comes to image sensors, size definitely matters. Sony’s Super 35 sensor delivers "bokeh," the defocused backgrounds made possible by shallow depth of field. A common technique for directing audience attention within the frame, shallow depth of field is far easier to achieve with a large sensor. Other things being equal, a bigger sensor also equates to better low-light sensitivity and lower image noise. And with bigger sensors, the field of view is wider for any given focal length lens.

With the FS7 sensor, size is just the beginning.

14 stops of exposure latitude deliver powerful grayscale rendition without crushing shadow detail or blowing out highlight detail.

ISO 2000 sensitivity enables you to shoot well after sunset, without tons of lighting and grip.

4K resolution. The sensor incorporates 11.6 million total pixels and 8.8 million effective pixels to deliver full 4K resolution. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors cannot see.

Sony Exmor® CMOS design makes for extremely fast readout, contributing to frame rates of up to 180 fps and minimized image skew.


High Frame Rates up to 180 fps

From freestyle skiing to water sprays to pyrotechnics, High Frame Rates underscore the beauty and drama of everyday motion. That’s why the FS7 provides continuous recording at Full HD at frame rates of up to 180 fps. When you play back at 23.98p, you’ll enjoy extraordinary Super Slow Motion of up to 7.5x. Compared to burst mode, the continuous recording of the FS7 reduces mistimed shots and extra takes. The camera also provides Slow & Quick motion from 1 fps to 180 fps, in 1 fps increments. This enables time lapse effects to make the clouds race by or flowers bloom before your eyes. And for even higher frame rates, you can attach the XDCA-FS7 extension unit and connect an outboard recorder, both sold separately, for 2K RAW recording at up to 240 fps. This creates 10x Super Slow Motion when played at 23.98p.


Built-in ND Filters

You don't need a matte box to get the advantages of shallow depth of field even in exterior day shoots. A built-in Neutral Density (ND) filter wheel includes positions for Clear, 1/4 (2 Stops), 1/16 (4 Stops), and 1/64 (6 Stops).


RAW recording, Apple ProRes 422 and multi-cam with Sony’s extension unit.

To keep the PXW-FS7 small, light and easily hand-holdable, Sony engineers reserved some special functions for an outboard module, the XDCA-FS7 extension unit, sold separately. The unit adds powerful capabilities:

External RAW recording. To preserve the maximum in colour, contrast and resolution, the XDCA-FS7 enables RAW recording when connected to outboard recorders, sold separately. The XDCA-FS7 supports the vivid colour of 12-bit linear RAW at either 4K or 2K resolution. Use a single BNC cable to connect the XDCA-FS7 to Sony’s HXR-IFR5 interface unit and AXS-R5 recorder, both sold separately. The interface also allows the use of compatible third-party external recorders, such as the ATOMOS Shogun and the Convergent Design® Odyssey 7Q and theequipped with the Sony FS RAW option. Even when you record outboard RAW, you can still record time code-synchronized Full HD on-board, a convenient proxy for offline editing.

Apple ProRes 422 recording. Sony understands that some workflows are committed to the Apple ProRes 422 codec. That’s why the XDCA-FS7 supports Apple ProRes 422 and Apple ProRes 422 HQ – 1920 x 1080 recording to an XQD™ card in the camera.

Multi-camera operation. The XDCA-FS7 also provides Genlock and Timecode In/Out for multi-camera shoots.


Unsurpassed handheld comfort

A handheld camera should be able to get you into tight places. To work in your lap. To move with the talent. To shoot high and low angles with equal facility. And a handheld camera should function beautifully against your chest or shoulder, comfortably steadied by your right hand. The Sony FS7 does all of this, and more. The built-in shoulder pad makes for stable shoulder-style shooting, while the curved back sits comfortably against your chest.


Convenient, telescoping arm

Another key to handheld comfort is the telescoping arm that holds the smart grip. Adjust the arm length by simply turning a knob. Another knob at the joint adjusts angle. So you can instantly adapt the arm to suit your physique and your shooting position.


Superbly rugged

Sony designed the PXW-FS7 to stand up to the rigors of real-world shooting. The frame is magnesium, for high rigidity and light weight. Buttons, dials and other parts are sealed to prevent dust and water spray from entering. Cooling is an urgent requirement in a high-speed 4K camera. That’s why Sony engineers developed special heat pipes that whisk heat away from the electronics and into a remote heat sink. An air duct cools the heat sink while isolating the electrical components from exposure to dust and water spray.

A pair of heat pipes draws heat away from the electrical components and into the cooling duct. The duct dissipates accumulated heat, while its sealed design prevents the entry of dust, dirt and water spray.


Multi-Interface (MI) Shoe

The FS7 takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light*.
*Sold separately


Support for 4-channel Audio Input and Recording

The FS7 supports 4-channel audio input. In application such as interview, this function enables the simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, by the use of an optional XLR adapter “XLR-K2M” or “XLR-K1M” which provides additional 2 XLR inputs, possible applications are further expanded.


Sony's 4K universe

Like high definition a decade ago, 4K is emerging as a consumer entertainment platform. And Sony is playing a pivotal role in this transition. When we launched the world's first commercial 4K projectors in 2005, we had to explain that a "K" was 1024 horizontal pixels and that "4K" meant 4096 x 2160 resolution. We had to itemize the advantages with tutorials on resolution and seating distance. Today 4K is a robust production platform. It is enshrined in the Digital Cinema Initiatives (DCI) specification. The ITU and SMPTE have both issued 4K standards. And the Consumer Electronics Association is promoting the term "Ultra High-Definition" (Ultra HD) to cover 4K consumer products.

Sony 4K products include the world's leading line-up of Digital Cinema 4K projectors, with over 18,000 systems installed worldwide. We also created 4K live broadcasting tools, including production switchers, a monitor, a server and a baseband processor unit. Our line of 4K projectors supports visualization, simulation, auditoriums and post. Our Sony Vegas® Pro 13 software is enabled for 4K nonlinear editing. Our 4K consumer products include the VPL-VW1100ES home theatre projector, televisions, camcorders and even the FMP-X10, a 4K home media player with access to over 200 titles in 4K.


Next-generation memory

Long-form programs need media that's both reliable and affordable. As specified by the CompactFlash Association, XQD™ memory cards score big on both accounts. Reliability comes from in-camera recovery. You get very low cost per minute compared to CFast™ cards. And robust communication between the camera and the card's controller enables read/write speeds up to a sizzling 600 Mbps.

Sony PXW-FS7 (1)
Boyd Cap (1)
Viewfinder (1)
Eyepiece (1)
Grip Remote Control (1)
USB wireless LAN module IFU-WLM3 (1)
Wireless remote commander (1) (RMT-845)
WA Adaptor Bracket (1)
MPA-AC1 AC Adapter (1)
BC-U1 battery charger (1)
BP-U30 battery pack (1)
Power cord (2)
USB cable (1)
Operating Guide (2)
CD-ROM "Manuales for Solid-State Memory Camcorder" (1)

 

Mass Approx 2.0 kg (body only)
Approx. 4.5 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U30 battery, SELP28135G LENS, an XQD memory card)
Dimensions (W x H x D) *1 156 x 239 x 247 mm (body without protrusions)
Power Requirements DC 12 V
Power Consumption Approx. 19W (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Operating Temperature 0°C to 40°C
32°F to 104°F
Storage Temperature -20°C to +60°C
-4°F to +140°F
Battery Operating Time Approx. 1 hrs with BP-U30 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 2 hrs with BP-U60 battery while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 3 hrs with BP-U90 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Recording Format (Video) XAVC-I mode: 4K 59.94P VBR, bit rate 600Mbps, MPEG-4 H.264/AVC
XAVC-I mode: 4K 50P VBR, bit rate 500Mbps, MPEG-4 H.264/AVC
XAVC-I mode: 4K 29.97P VBR, bit rate 300Mbps, MPEG-4 H.264/AVC
XAVC-I mode: 4K 23.98P VBR, bit rate 240Mbps, MPEG-4 H.264/AVC
XAVC-I mode: 4K 25P VBR, bit rate 250Mbps, MPEG-4 H.264/AVC
Recording Format (Video) XAVC-I mode:QFHD 59.94P CBG, bit rate 600Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 59.94P VBR, maximum bit rate 222Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 50P VBR, maximum bit rate 185Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 59.94i VBR, maximum bit rate 111Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 50i VBR, maximum bit rate 112Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 29.97P VBR, maximum bit rate 111Mbps, MPEG-4
Recording Format (Video) XAVC-L QFHD 59.94P/50P mode: VBR, maximum bit rate 150Mbps, MPEG-4 H.264/AVC
XAVC-L QFHD 29.97P/23.98P/25P mode: VBR, maximum bit rate 100Mbps, MPEG-4 H.264/AVC
XAVC-L HD 50 mode: VBR, maximum bit rate 50Mbps, MPEG-4 H.264/AVC
XAVC-L HD 35 mode: VBR, maximum bit rate 35Mbps, MPEG-4 H.264/AVC
XAVC-L HD 25 mode: VBR, maximum bit rate 25Mbps, MPEG-4 H.264/AVC


MPEG HD422 mode: CBR, maximum bit rate 50Mbps, MPEG-2 422P@HL
Apple ProRes 422 HQ: VBR, maximum bit rate 220Mbps, 4:2:2 10 bit
ProRes 422*2
Apple ProRes 422: VBR, maximum bit rate 147Mbps, 4:2:2 10 bit
Recording Format (Audio) LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback ONLY 2channels)
Recording Frame Rate
XAVC-I QFHD mode: 3840x2160/ 59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-I HD mode: 1920x1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P


XAVC-L QFHD mode: 3840x2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-L HD 50 mode: 1920x1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L 35 mode: 1920x1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L 25 mode: 1920x1080/59.94i, 50i


MPEG HD422 mode: 1920x1080/59.94i, 50i, 29.97P, 23.98P, 25P 1280x720/59.94P, 50P, 29.97P, 23.98P, 25P
Recording/Playback Time XAVC-I mode 4K/QFHD 59.94P
When using QD-G128A (128GB): Approx. 22 minutes,
When using QD-G64A (64GB): Approx. 11 minutes
XAVC-I mode 4K/QFHD 50P
When using QD-G128A (128GB): Approx. 26 minutes,
When using QD-G64A (64GB): Approx. 13 minutes
XAVC-I mode 4K/QFHD 29.97P
When using QD-G128A (128GB): Approx. 44 minutes,
When using QD-G64A (64GB): Approx. 22 minutes
PXW-FS7
Recording/Playback Time XAVC-I mode 4K/QFHD 23.98P
When using QD-G128A (128GB): Approx. 55 minutes,
When using QD-G64A (64GB): Approx. 27 minutes
XAVC-I mode 4K/QFHD 25P
When using QD-G128A (128GB): Approx. 52 minutes,
When using QD-G64A (64GB): Approx. 26 minutes
Recording/Playback Time
ProRes 422 HQ*2
“ProRes 422 HQ
59.94i/29.97P mode
When using QD-G128A (128GB): Approx. 60 minutes,
When using QD-G64A (64GB): Approx. 30 minutes”
“ProRes 422 HQ
50i/25P mode
When using QD-G128A (128GB): Approx. 72 minutes,
When using QD-G64A (64GB): Approx. 36 minutes
ProRes 422 HQ
23.98P mode
When using QD-G128A (128GB): Approx. 74 minutes
When using QD-G64A (64GB): Approx. 37 minutes
Recording/Playback Time ProRes 422 HQ*2
ProRes 422
59.94i/29.97P mode
When using QD-G128A (128GB): Approx. 90 minutes
When using QD-G64A (64GB): Approx. 45 minutes
ProRes 422
50i/25P mode
When using QD-G128A (128GB): Approx. 108 minutes
When using QD-G64A (64GB): Approx. 54 minutes
ProRes 422
23.98P mode
When using QD-G128A (128GB): Approx. 112 minutes
When using QD-G64A (64GB): Approx. 56 minutes

Lens

Filter Diameter 95 mm
Focal Length 28mm to 135mm
Focus Internal
Iris Nine blades (circular perture) F/4 to F/22 (click or click-less)
Lens Mount Sony E-Mount
Zoom Ratio 4.8x
Note SEL-28135G 28-135mm lens is supplied as standard with PXW-FS7K model. PXW-FS7 model is supplied without lens.

Camera Section

Imaging Device (Type) Super35 type Single-chip Exmor CMOS
Effective Picture Elements 17:9 4096 (H) x 2160 (V)
16:9 3840 (H) x 2160 (V)
Built-in Optical Filters Clear, 1/4ND, 1/16ND, 1/64ND
Sensitivity (2000 lx, 89.9% reflectance) Video Gamma: T14 (3840 x 2160/23.98P mode 3200K)
ISO Sensitivity ISO 2000(S-Log3 Gamma D55 Light source)
Minimum Illumination 0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4)
S/N Ratio 57 dB (Y) (typical)
Shutter Speed 1/3 sec to 1/9,000 sec
Slow & Quick Motion Function XAVC-I mode 3840x2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-I mode 1920x1080: 1 to 180 frames (59.94P, 29.97P, 23.98P)1 to 150 frames (50P,25P)
XAVC-L mode 3840x2160:1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-L mode 1920x1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
White Balance Preset, Memory A, Memory B(1500K-50000K)/ATW
Gain -3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve STD,HG,User,S-log3

Input/Output

Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable Mic Reference: -40, -50, -60dBu
SDI Output BNC(x2), switchable with 3G-SDI/HD-SDI
SMTPE292M/424M/425M
USB USB device, mini-B (x1)
Headphone Output Stereo mini jack (x1) -16dBu 16Ω
Speaker Output Monaural
DC Input DC jack
Remote Stereo mini-minijack (Φ2.5 mm)
HDMI Output Type A (x1)
Option 4-pin, Type A for W-LAN (x1)

Monitoring

Built-in LCD Monitor 8.8cm (3.5 type) Approx. 1.56M dots

Built-in Microphone

Built-in Microphone Omni-directional monoral electret condenser microphone.

Media

Type XQD Card slot(x2)
SD Card slot(x1) for saving configuration data

Supplied Accessories

Supplied Accessories Boyd Cap (1)
Viewfinder (1)
Eyepiece (1)
Grip Remote Control (1)
USB wireless LAN module IFU-WLM3 (1)
Wireless remote commander (1) (RMT-845)
WA Adaptor Bracket (1)
MPA-AC1 AC Adapter (1)
BC-U1 battery charger (1)
BP-U30 battery pack (1)
Power cord (2)
USB cable (1)
Operating Guide (2)
CD-ROM "Manuales for Solid-State Memory Camcorder" (1)

Notes

*1 The values for dimensions are approximate.
*2 ProRes requires optional extension unit ”XDCA-FS7”
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PRODUCT WARRANTY INFORMATION

1.  What warranty comes with the goods purchased ?

All products excluding batteries sold by Orms are covered by a minimum of a one year local warranty, reckoned from the date of purchase, to protect you against manufacturing defects.

CANON

Canon IXUS, PowerShot compact cameras are covered by a full 1 Year Warranty
Canon DSLR and Mirrorless cameras
are covered by a full 2 Year Warranty.
Canon video cameras including Legria and X-series are covered by a full 1 Year Warranty.

NIKON

Nikon compacts excluding the Coolpix P900 are covered by a full 1 Year Warranty.
Nikon DSLR's including the CoolPix P900 and are covered by a full 2 Year Warranty.

Panasonic

Panasonic cameras and lenses are covered by a full 2 Year Warranty.

FUJIFILM

Fujifilm cameras  are covered by a 2 Year Warranty.

SIGMA & TAMRON LENSES

Sigma and Tamron products are covered by a 3 Year Warranty.

LEXAR & SANDISK MEMORY CARDS

Lexar and Sandisk memory cards are covered by a Limited Lifetime Warranty.

LOWEPRO BAGS

Lowepro's Limited Original Owner Warranty covers defects in materials and workmanship during the useful life of the product.  The warranty does not cover damage caused by improper care.

USED GEAR PURCHASED FROM ORMS

 All used gear sold by ORMS is supplied with a 6 Month Warranty.

REFURBISHED GEAR PURCHASED FROM ORMS

 All refurbished gear sold by ORMS is supplied with a 12 Month Warranty.

 

2.  My product has gone faulty, now what ?

Please contact our service division straight away on 021 - 469 1962 and notify them of the fault. You may also e-mail them at repairs@orms.co.za

   1. If a product is defective / faulty, ORMS will replace the product within a 10 day period deemed from the date of receiving the product.  ORMS will also cover the shipping costs within the borders of South Africa.

   2. During the warranty period, Orms will arrange collection of the faulty item, facilitate the repair and then ship the product back to the customer, bearing all risks and costs.

   3. Please see our policies under Return Policy and Servicing & Repair Policy for further information

 

Orms is not obliged to repair products that fall outside of the manufacturers warranty period, or products that are damaged accidentally, however Orms in seeking to deliver the highest standard of customer service will gladly assist the customer in having the product repaired via the network of repair agents with which Orms has business dealings.


1.  FREE Standard Shipping 

Free Economy Shipping is available on all orders exceeding R1 000. (T&C's apply)

*Terms and conditions to qualify for free shipping:

  • Shipping may only be to a physical address within the borders of South Africa. No P.O Box's allowed.
  • Shipping to outlying or remote areas like farms and game reserves may attract an additional fee.
  • The delivery time to city areas is usually between 2 and 4 working days*. This excludes weekends and public holidays.

*Reckoned from time of dispatch to time of arrival to client. This is an estimate and not guaranteed.

 

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We use Aramex couriers as our preferred method of delivery.

With sophisticated track and trace equipment, you can pinpoint exactly where your parcel is, from the moment it is dispatched by us, until it's safely handed over to you the recipient.

Your parcel is well packaged and bubble wrapped before delivery. We also fully insure your parcels contents for the journey to your door.

Delivery Charges:

We charge a flat-rate for shipping and the charges are per order. 

  • Express Shipping to Main Cities @ R 150.00 incl. VAT (ETA of 1-2 Business Days)* - Main Cities are: Cape Town, Johannesburg, Pretoria, Durban, Port Elizabeth and East London. Other cities/towns will take more than 1-2 delivery time.
  • Standard Shipping @ R 80.00 incl. VAT (ETA of 2-4 Business Days)* - To all areas.

*Reckoned from time of dispatch to time of arrival to client. This is an estimate and not guaranteed. This period does not include Saturdays, Sundays and public holidays. The base price of R80.00 incl. VAT is for a parcel up to 10kg in Volumetric and Physical weight. Should the item/s exceed this weight, we reserve the right to increase the shipping charge accordingly. 

Please Note: The above prices quoted are for ordering online through the ORMSdirect website only. A different rate will be quoted if handled manually through our camera sales department. Our delivery service only runs from Monday to Friday. Saturday morning deliveries can be done by special arrangement only and at an additional charge. Please contact info@orms.co.za to arrange. We reserve the right to re-quote the delivery fee should this become too expensive. 

 

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Orms is not responsible for, nor can we offer, any specific advice regarding any customs related fees that you may incur. For specific information, please consult with your local government import office.

Privacy: Your privacy is important to us. We strive to exceed your expectations for privacy. Cross-border shipments are subject to inspection by customs authorities. We may also be called upon to provide certain order, shipment, and product information to our international carriers. Carriers may communicate such information to customs authorities for the purpose of facilitating customs clearance and compliance with local laws.

Delivery Charges:

International shipments are quoted on a per order basis depending on the size and weight of the parcel shipped.

 

4.  Collect & Collect from Orms Shop in Cape Town / Bellville

You are welcome to place your order online, pay for it and collect it from our Cape Town or Bellville branches. You will need to bring in a print out of the order for collection. Please ask for online sales on arrival. 

 

Orms Shop - Cape Town

Open: Mon-Thurs 8 to 6PM, Fri 8:30 to 6PM, Saturdays 8AM to 1PM 
 

Shop 5, Roeland Square

Upper Canterbury Street

Gardens, Cape Town, 8001

South Africa

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Open: Weekdays 8AM to 5:30PM, Saturdays 8AM to 1PM
 

Victorian Towers

Cnr Durban Rd & Palm St

Bellville, Cape Town, 7530

South Africa